man and scorpio woman

Five years ago on the IMDb Classics Board long-time poster bkamberger hosted an extensive poll on the best LGBT films. Fast forward and he’s at it again with which runs until the end of the month (there’s a few days left!). As his polls usually do they’ve generated an enormous amount of really informed lists and suggestions quite a bit of discussion and inevitably some controversy (this time around it’s whether or not Pasolini’s Edipo Re should qualify. Bk has ruled it doesn’t). Anyway in honor of “National Coming Out Month” I’ve decided to post the list I compiled along with some additional thoughts and reflections. Mind you. I can’t claim to have any kind of extensive familiarity (yet) with queer cinema and furthermore. I don’t claim these are necessarily the best LGBT films either. Just my personal favorites many of which hold special importance to me. All About My Mother (1999. Almodóvar) is a very beautiful even gentle film—quite a feat considering the explosive subject matter. But what I was so impressed with (and what gives it the edge over Bad Education which I actually like a tiny bit better) is not only in the nonjudgmental portrayal of transsexuals (it depicts them as they should be—as just any other person) but also in the fairness it treats its titular character a straight woman who is forced to come to grips with the kaleidoscopic of human sexuality. Not many films manage to be as militantly pro-gay while simultaneously refraining from falling into the trap of demonizing heterosexuality. As far as I’m aware Avant que j’oublie (Before I Forget) (2007. Nolot) is kind of a rarity in youth-obsessed gay cinema for the simple fact it depicts a gay man and his struggles in the twilight years of his life. I don’t deny that the film is extremely bleak and extremely depressing (particularly for any gay men in the audience) but at the same time it’s also really impressive for its ruthless unsentimental dealing with the subject matter. (More thoughts found in my TIFF coverage.) Ah and with Beautiful Thing (1996) we get to the first film that played a pivotal role in my own coming out process. Well kind of. My first exposure to the material was a magical theater experience during my return to London last summer which marked the first situation I ever really put myself in a situation where I was perceived in a public place as gay (or at least it sure felt that way!). Needless to say I fell in love with the production and subsequently bought the play and devoured it several times—but I waited a good eight months to watch the film version. And while (in my very biased opinion) some of the changes in the adaptation to the screen prevents it from reaching the same dizzying heights of the original play. Beautiful Things remains a really impressive exceedingly touching fusion of gritty “slice-of-life reality” and romantic “fairy tale.” It’s difficult to decipher whether A Bigger Splash (1974. Hazan) is a documentary or a fictional film masquerading as a documentary but whatever the case it’s a dazzling showcase for gay artist David Hockney. Kind of anticipating the 21st century reality TV craze. Hockney allowed director Hazan follow him around and film him going about his everyday life and what was initially intended as an attempt to gain some insight into the creative process behind some of the 20th century’s most iconic paintings also captured Hockney interacting with his friends and multiple male lovers in London during the Swinging 60’s. The film particularly focuses on Hockney’s young beautiful and androgynous boyfriend/muse Peter Schlesinger (and on his oft-naked body); there’s also a stunning extended male-on-male sex scene that was extremely controversial during its time that’s still rather startling in its frankness when viewed today. (My full review is at ). Born in Flames (1983. Borden) is one of the few daring films that really delves into the nitty-gritty of the political implications of being “the other”—a racial minority a female a sexual minority—and attempts to show the ways they are all are interlinked (indeed most of its central character fall into all three groups). It’s a tough film to pin down (I’ve come across descriptions along the lines of “socialist-feminist sci-fi fantasy’) and in just 80 short minutes there’s not enough time to explore each facet of the situation fully but in a subgenre that tends to focus almost solely on stories of the personal its refreshing to come across one that dares take on the political as well (full review can be found ). Going into Les Chansons d’amour (Songs of Love) (2007. Honoré) I had no clue it was going to end up being a LGBT film (though admittedly the main draw was Louis Garrel my biggest cinematic crush). But surprise surprise—the male/female/female threesome of the first half of the film gives way to unexpected gay longing in the final acts. I won’t argue that the film isn’t highly flawed (I find that part of the appeal myself) but Garrel and the adorable Grégoire Leprince-Ringuet sing to each other during one of the sweetest sex scenes I’ve ever seen and there’s a doozy of a closing line to cap it all off. (A few more thoughts from TIFF found ). I’ve written about C. R. A. Z. Y. (2005. Vallee) and its impact on my own coming out process several times now and don’t really feel the need to expound on it again. I’ll just reiterate yet again how this lovingly crafted densely layered coming-out film was also one of the films that served as a major inspiration on my own coming-out process. (My full review at DVD Verdict can be found ). The inclusion of The Dark at the Top of the Stairs (1960) is my tip to the (many) instances of classic Hollywood coding homosexual characters and themes into their films. Bk reminded me how much of an impact this film made on me years ago when I was first getting into classic film and while I can’t really claim I was even really conscious of any gay elements possibly contained within the film. I know that I cried and I cried because I was extremely attracted to the beautiful boy who inevitably succumbs to tragedy. After all these years it’s still one of my most tightly-held pivotal film experiences. To date. Happy Together (1997) is Wong Kar-Wai’s only contribution to queer cinema and still stands as one of its artistic high points. Enough said (though further thoughts ). I think what threw so many people about The Hours (2002) is that it asked (demanded?) a mainstream audience to grasp a world where sexuality is *gasp* a fluid concept and that attraction sexual or not can spring from a variety of sources impulses and situations. I used to love it unreservedly but on my last viewing a few months ago some cracks started to surface—I was particularly piqued at how it unashamedly feeds into the popular “mad Virginia Woolf” myth—and yet its zipping in and out of storylines years and hours still manages to move me profoundly. When I say that it really surprises me that Juste une question d’amour (Just a Question of Love) (2000) is a TV movie I don’t mean it in the sense that “oh wow. I didn’t expect TV to produce such a wonderful film,” but rather as an indication of my sense of amazement that by being made for television this film was intended for mass consumption… And yet it contains more skin and male-on-male kissing than Brokeback Mountain—I’ll know we’ve come a long way as Americans when we can accept a damn beautiful love story like this one without “see it’s a universal love story!” bandied about as a justification. (My capsule review is.) Yes. Latter Days (2003) falls a little too often into cliché than one would like but it’s still one of those early essential films that I couldn’t shake off once I saw it (one could say it was the rumblings of reality). It’s still the best film I’ve come across dealing with coming to grips with being gay within the confines of organized religion something that’s very dear to my heart since in many ways it’s my own story. What I wrote about it now almost three years ago(!) serves as testament to just how far I’ve come. My Summer of Love (2004) has many qualities to recommend—most particularly the poetic hypnotic atmosphere it creates—but I’ll just say that I identify with the whole “sexual attraction at the river” thing and leave it at that. Mysterious Skin (2006) is an examination of the roots of sexuality and goes about it rather brilliantly creating two protagonists who share a common traumatic event (which we try and piece together for the entire film) but shows the widely divergent emotional reactions—and life paths—that can result. And I have to give a shout-out to Scott Heim’s exceedingly graceful novel which might even be better than the terrific film adaptation it inspired. (Some brief thoughts compiled.) In some ways it’s rather disappointing that in Orlando (1992) Sally Potter doesn’t push the edge—on gender-bending on homoerotic attraction on androgyny—nearly as far as Virginia Woolf does in her celebrated novel. But other compensations abound most particularly Tilda Swinton’s impressive balance-act of a performance and the magnificent magical coup found in the inspired casting of Queen Elizabeth. Having seen it for the first time only a few weeks ago I’m still sorting out my thoughts on Scorpio Rising (1964) but the fact that Kenneth Anger accomplished so much in just 30 minutes or so just floors me—everything from exposing and exploring the obvious homoeroticism of biker gangs to the relentless fetishization of the male body and masculinity in general. And of course gotta love the audacity of taking a scene from a grainy Sunday school film depicting Jesus healing a blind man and splicing it with brief glimpses of naked bodies and blatant erections! It’s such a groundbreaking film on so many levels that more and more I’m becoming convinced that it’s one of the great films queer or otherwise. (My new review DVD set of Kenneth Anger films can be found.) Derek Jarman’s Sebastiane (1976) is a surreal fusion of the Christian and the queer not bothering for a moment to give an historical account of the martyred saint’s death but imagining a completely new one inspired almost wholly by the homoerotic Sebastian has inspired over the centuries. Basically it’s a group of sun-bronzed oft-naked men stranded in a deserted outpost and how their sexual frustrations and desire for each other plays out (how does Sebastiane exactly manage to hold out?). The historical importance (the first film entirely recorded in Latin the only British-made film released with English subtitles its groundbreaking portrayal of male nudity and homosexual behavior) is only icing on the cake. Super 8 1/2 (1993) was my introduction to the singular filmography of Bruce LaBruce and to the idea of Queercore in general. It hits from all directions with self-reflexive interviews and in-jokes gags parody and self parody—and then of course there’s that rather violent film-within-a-film sequence that is seems so so wrong if only because it manages to be so arousing… Y tu mamá también (2001) with its loose casual portrayal of just spending time with a best friend just generally experiencing life together culminating with a kiss (and maybe more?) is a fantasy I’d bet most gay man has (I certainly do). Not a gay movie per se—I tend to think the famous kiss is probably more an action of spontaneous in-the-moment passion than anything else—but I remember first watching it and taking pause at how I had responded to that famous final kiss the boys share. –I also love THE HOURS very much. I think I saw it three times on the big screen. MYSTERIOUS SKIN and THE TALENTED MR. RIPLEY are my favorite films too. –As for my list this list is not “my favorite gay films” but it is “my favorite films which have something gay in it” though that “something” might be just a tiny part in the film. I don’t like the limitation of the word “gay films” so I try to broaden my list as much as possible. I’ll be curious as to what you make of For the Bible Tells Me So since I know you’ve some major issues with docs dealing with the topics of gays and religion… I thought it was as fair-handed a film as one could hope for given the subject matter and it was really nice that it didn’t spend its time focusing on the mentally tortured and self-pitying but on those comfortable with their sexuality and their religous beliefs and only hope that their beliefs spread outwards. celinejulie - It’s more or less controlled chaos down here in San Diego but the city itself (where I live and work) is under no real threat of fire (it’s about a half hour/45 minutes north east and south of us). But the last several days at the hotel we’ve been dealing with a massive influx of evacuees which has been both exhausting and rewarding. -I’m well aware that I need to see more early Almodóvar and I’m glad to hear that you’re a Beautiful Thing. If you ever get the chance to see it as a stage play definitely jump at the opportunity–I actually thought it played better in that context than it did as a film. -If I hadn’t included Dark… (which I should really write about sometime) I would have included Rebel as my “token coded Hollywood” film. It seems to be commonly accepted that the character of Plato is gay and strongly desires Jim… some have gone so far as to see a relationship/potential relationship between them. I personally don’t go that far (though I really need to watch the film again) but would include it on Plato’s character alone. -Deciding what constitutes a “gay” film is part of the fun of this whole poll has provided! I’ve kept my list rather literal since that is how the moderator runs it. And with the exception of Denis’s film. I haven’t seen one on your list so I’m printing it out for reference and rental suggestions.

Forex Groups - Tips on Trading

Related article:
http://memoriesofthefuture.wordpress.com/2007/10/21/coming-on-out-with-it/

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Five years ago on the IMDb Classics Board long-time poster bkamberger hosted an extensive poll on the best LGBT films. Fast forward and he’s at it again with which runs until the end of the month (there’s a few days left!). As his polls usually do they’ve generated an enormous amount of really informed lists and suggestions quite a bit of discussion and inevitably some controversy (this time around it’s whether or not Pasolini’s Edipo Re should qualify. Bk has ruled it doesn’t). Anyway in honor of “National Coming Out Month” I’ve decided to post the list I compiled along with some additional thoughts and reflections. Mind you. I can’t claim to have any kind of extensive familiarity (yet) with queer cinema and furthermore. I don’t claim these are necessarily the best LGBT films either. Just my personal favorites many of which hold special importance to me. All About My Mother (1999. Almodóvar) is a very beautiful even gentle film—quite a feat considering the explosive subject matter. But what I was so impressed with (and what gives it the edge over Bad Education which I actually like a tiny bit better) is not only in the nonjudgmental portrayal of transsexuals (it depicts them as they should be—as just any other person) but also in the fairness it treats its titular character a straight woman who is forced to come to grips with the kaleidoscopic of human sexuality. Not many films manage to be as militantly pro-gay while simultaneously refraining from falling into the trap of demonizing heterosexuality. As far as I’m aware Avant que j’oublie (Before I Forget) (2007. Nolot) is kind of a rarity in youth-obsessed gay cinema for the simple fact it depicts a gay man and his struggles in the twilight years of his life. I don’t deny that the film is extremely bleak and extremely depressing (particularly for any gay men in the audience) but at the same time it’s also really impressive for its ruthless unsentimental dealing with the subject matter. (More thoughts found in my TIFF coverage.) Ah and with Beautiful Thing (1996) we get to the first film that played a pivotal role in my own coming out process. Well kind of. My first exposure to the material was a magical theater experience during my return to London last summer which marked the first situation I ever really put myself in a situation where I was perceived in a public place as gay (or at least it sure felt that way!). Needless to say I fell in love with the production and subsequently bought the play and devoured it several times—but I waited a good eight months to watch the film version. And while (in my very biased opinion) some of the changes in the adaptation to the screen prevents it from reaching the same dizzying heights of the original play. Beautiful Things remains a really impressive exceedingly touching fusion of gritty “slice-of-life reality” and romantic “fairy tale.” It’s difficult to decipher whether A Bigger Splash (1974. Hazan) is a documentary or a fictional film masquerading as a documentary but whatever the case it’s a dazzling showcase for gay artist David Hockney. Kind of anticipating the 21st century reality TV craze. Hockney allowed director Hazan follow him around and film him going about his everyday life and what was initially intended as an attempt to gain some insight into the creative process behind some of the 20th century’s most iconic paintings also captured Hockney interacting with his friends and multiple male lovers in London during the Swinging 60’s. The film particularly focuses on Hockney’s young beautiful and androgynous boyfriend/muse Peter Schlesinger (and on his oft-naked body); there’s also a stunning extended male-on-male sex scene that was extremely controversial during its time that’s still rather startling in its frankness when viewed today. (My full review is at ). Born in Flames (1983. Borden) is one of the few daring films that really delves into the nitty-gritty of the political implications of being “the other”—a racial minority a female a sexual minority—and attempts to show the ways they are all are interlinked (indeed most of its central character fall into all three groups). It’s a tough film to pin down (I’ve come across descriptions along the lines of “socialist-feminist sci-fi fantasy’) and in just 80 short minutes there’s not enough time to explore each facet of the situation fully but in a subgenre that tends to focus almost solely on stories of the personal its refreshing to come across one that dares take on the political as well (full review can be found ). Going into Les Chansons d’amour (Songs of Love) (2007. Honoré) I had no clue it was going to end up being a LGBT film (though admittedly the main draw was Louis Garrel my biggest cinematic crush). But surprise surprise—the male/female/female threesome of the first half of the film gives way to unexpected gay longing in the final acts. I won’t argue that the film isn’t highly flawed (I find that part of the appeal myself) but Garrel and the adorable Grégoire Leprince-Ringuet sing to each other during one of the sweetest sex scenes I’ve ever seen and there’s a doozy of a closing line to cap it all off. (A few more thoughts from TIFF found ). I’ve written about C. R. A. Z. Y. (2005. Vallee) and its impact on my own coming out process several times now and don’t really feel the need to expound on it again. I’ll just reiterate yet again how this lovingly crafted densely layered coming-out film was also one of the films that served as a major inspiration on my own coming-out process. (My full review at DVD Verdict can be found ). The inclusion of The Dark at the Top of the Stairs (1960) is my tip to the (many) instances of classic Hollywood coding homosexual characters and themes into their films. Bk reminded me how much of an impact this film made on me years ago when I was first getting into classic film and while I can’t really claim I was even really conscious of any gay elements possibly contained within the film. I know that I cried and I cried because I was extremely attracted to the beautiful boy who inevitably succumbs to tragedy. After all these years it’s still one of my most tightly-held pivotal film experiences. To date. Happy Together (1997) is Wong Kar-Wai’s only contribution to queer cinema and still stands as one of its artistic high points. Enough said (though further thoughts ). I think what threw so many people about The Hours (2002) is that it asked (demanded?) a mainstream audience to grasp a world where sexuality is *gasp* a fluid concept and that attraction sexual or not can spring from a variety of sources impulses and situations. I used to love it unreservedly but on my last viewing a few months ago some cracks started to surface—I was particularly piqued at how it unashamedly feeds into the popular “mad Virginia Woolf” myth—and yet its zipping in and out of storylines years and hours still manages to move me profoundly. When I say that it really surprises me that Juste une question d’amour (Just a Question of Love) (2000) is a TV movie I don’t mean it in the sense that “oh wow. I didn’t expect TV to produce such a wonderful film,” but rather as an indication of my sense of amazement that by being made for television this film was intended for mass consumption… And yet it contains more skin and male-on-male kissing than Brokeback Mountain—I’ll know we’ve come a long way as Americans when we can accept a damn beautiful love story like this one without “see it’s a universal love story!” bandied about as a justification. (My capsule review is.) Yes. Latter Days (2003) falls a little too often into cliché than one would like but it’s still one of those early essential films that I couldn’t shake off once I saw it (one could say it was the rumblings of reality). It’s still the best film I’ve come across dealing with coming to grips with being gay within the confines of organized religion something that’s very dear to my heart since in many ways it’s my own story. What I wrote about it now almost three years ago(!) serves as testament to just how far I’ve come. My Summer of Love (2004) has many qualities to recommend—most particularly the poetic hypnotic atmosphere it creates—but I’ll just say that I identify with the whole “sexual attraction at the river” thing and leave it at that. Mysterious Skin (2006) is an examination of the roots of sexuality and goes about it rather brilliantly creating two protagonists who share a common traumatic event (which we try and piece together for the entire film) but shows the widely divergent emotional reactions—and life paths—that can result. And I have to give a shout-out to Scott Heim’s exceedingly graceful novel which might even be better than the terrific film adaptation it inspired. (Some brief thoughts compiled.) In some ways it’s rather disappointing that in Orlando (1992) Sally Potter doesn’t push the edge—on gender-bending on homoerotic attraction on androgyny—nearly as far as Virginia Woolf does in her celebrated novel. But other compensations abound most particularly Tilda Swinton’s impressive balance-act of a performance and the magnificent magical coup found in the inspired casting of Queen Elizabeth. Having seen it for the first time only a few weeks ago I’m still sorting out my thoughts on Scorpio Rising (1964) but the fact that Kenneth Anger accomplished so much in just 30 minutes or so just floors me—everything from exposing and exploring the obvious homoeroticism of biker gangs to the relentless fetishization of the male body and masculinity in general. And of course gotta love the audacity of taking a scene from a grainy Sunday school film depicting Jesus healing a blind man and splicing it with brief glimpses of naked bodies and blatant erections! It’s such a groundbreaking film on so many levels that more and more I’m becoming convinced that it’s one of the great films queer or otherwise. (My new review DVD set of Kenneth Anger films can be found.) Derek Jarman’s Sebastiane (1976) is a surreal fusion of the Christian and the queer not bothering for a moment to give an historical account of the martyred saint’s death but imagining a completely new one inspired almost wholly by the homoerotic Sebastian has inspired over the centuries. Basically it’s a group of sun-bronzed oft-naked men stranded in a deserted outpost and how their sexual frustrations and desire for each other plays out (how does Sebastiane exactly manage to hold out?). The historical importance (the first film entirely recorded in Latin the only British-made film released with English subtitles its groundbreaking portrayal of male nudity and homosexual behavior) is only icing on the cake. Super 8 1/2 (1993) was my introduction to the singular filmography of Bruce LaBruce and to the idea of Queercore in general. It hits from all directions with self-reflexive interviews and in-jokes gags parody and self parody—and then of course there’s that rather violent film-within-a-film sequence that is seems so so wrong if only because it manages to be so arousing… Y tu mamá también (2001) with its loose casual portrayal of just spending time with a best friend just generally experiencing life together culminating with a kiss (and maybe more?) is a fantasy I’d bet most gay man has (I certainly do). Not a gay movie per se—I tend to think the famous kiss is probably more an action of spontaneous in-the-moment passion than anything else—but I remember first watching it and taking pause at how I had responded to that famous final kiss the boys share. –I also love THE HOURS very much. I think I saw it three times on the big screen. MYSTERIOUS SKIN and THE TALENTED MR. RIPLEY are my favorite films too. –As for my list this list is not “my favorite gay films” but it is “my favorite films which have something gay in it” though that “something” might be just a tiny part in the film. I don’t like the limitation of the word “gay films” so I try to broaden my list as much as possible. I’ll be curious as to what you make of For the Bible Tells Me So since I know you’ve some major issues with docs dealing with the topics of gays and religion… I thought it was as fair-handed a film as one could hope for given the subject matter and it was really nice that it didn’t spend its time focusing on the mentally tortured and self-pitying but on those comfortable with their sexuality and their religous beliefs and only hope that their beliefs spread outwards. celinejulie - It’s more or less controlled chaos down here in San Diego but the city itself (where I live and work) is under no real threat of fire (it’s about a half hour/45 minutes north east and south of us). But the last several days at the hotel we’ve been dealing with a massive influx of evacuees which has been both exhausting and rewarding. -I’m well aware that I need to see more early Almodóvar and I’m glad to hear that you’re a Beautiful Thing. If you ever get the chance to see it as a stage play definitely jump at the opportunity–I actually thought it played better in that context than it did as a film. -If I hadn’t included Dark… (which I should really write about sometime) I would have included Rebel as my “token coded Hollywood” film. It seems to be commonly accepted that the character of Plato is gay and strongly desires Jim… some have gone so far as to see a relationship/potential relationship between them. I personally don’t go that far (though I really need to watch the film again) but would include it on Plato’s character alone. -Deciding what constitutes a “gay” film is part of the fun of this whole poll has provided! I’ve kept my list rather literal since that is how the moderator runs it. And with the exception of Denis’s film. I haven’t seen one on your list so I’m printing it out for reference and rental suggestions.

Forex Groups - Tips on Trading

Related article:
http://memoriesofthefuture.wordpress.com/2007/10/21/coming-on-out-with-it/

comments | Add comment | Report as Spam

Five years ago on the IMDb Classics Board long-time poster bkamberger hosted an extensive poll on the best LGBT films. Fast forward and he’s at it again with which runs until the end of the month (there’s a few days left!). As his polls usually do they’ve generated an enormous amount of really informed lists and suggestions quite a bit of discussion and inevitably some controversy (this time around it’s whether or not Pasolini’s Edipo Re should qualify. Bk has ruled it doesn’t). Anyway in honor of “National Coming Out Month” I’ve decided to post the list I compiled along with some additional thoughts and reflections. Mind you. I can’t claim to have any kind of extensive familiarity (yet) with queer cinema and furthermore. I don’t claim these are necessarily the best LGBT films either. Just my personal favorites many of which hold special importance to me. All About My Mother (1999. Almodóvar) is a very beautiful even gentle film—quite a feat considering the explosive subject matter. But what I was so impressed with (and what gives it the edge over Bad Education which I actually like a tiny bit better) is not only in the nonjudgmental portrayal of transsexuals (it depicts them as they should be—as just any other person) but also in the fairness it treats its titular character a straight woman who is forced to come to grips with the kaleidoscopic of human sexuality. Not many films manage to be as militantly pro-gay while simultaneously refraining from falling into the trap of demonizing heterosexuality. As far as I’m aware Avant que j’oublie (Before I Forget) (2007. Nolot) is kind of a rarity in youth-obsessed gay cinema for the simple fact it depicts a gay man and his struggles in the twilight years of his life. I don’t deny that the film is extremely bleak and extremely depressing (particularly for any gay men in the audience) but at the same time it’s also really impressive for its ruthless unsentimental dealing with the subject matter. (More thoughts found in my TIFF coverage.) Ah and with Beautiful Thing (1996) we get to the first film that played a pivotal role in my own coming out process. Well kind of. My first exposure to the material was a magical theater experience during my return to London last summer which marked the first situation I ever really put myself in a situation where I was perceived in a public place as gay (or at least it sure felt that way!). Needless to say I fell in love with the production and subsequently bought the play and devoured it several times—but I waited a good eight months to watch the film version. And while (in my very biased opinion) some of the changes in the adaptation to the screen prevents it from reaching the same dizzying heights of the original play. Beautiful Things remains a really impressive exceedingly touching fusion of gritty “slice-of-life reality” and romantic “fairy tale.” It’s difficult to decipher whether A Bigger Splash (1974. Hazan) is a documentary or a fictional film masquerading as a documentary but whatever the case it’s a dazzling showcase for gay artist David Hockney. Kind of anticipating the 21st century reality TV craze. Hockney allowed director Hazan follow him around and film him going about his everyday life and what was initially intended as an attempt to gain some insight into the creative process behind some of the 20th century’s most iconic paintings also captured Hockney interacting with his friends and multiple male lovers in London during the Swinging 60’s. The film particularly focuses on Hockney’s young beautiful and androgynous boyfriend/muse Peter Schlesinger (and on his oft-naked body); there’s also a stunning extended male-on-male sex scene that was extremely controversial during its time that’s still rather startling in its frankness when viewed today. (My full review is at ). Born in Flames (1983. Borden) is one of the few daring films that really delves into the nitty-gritty of the political implications of being “the other”—a racial minority a female a sexual minority—and attempts to show the ways they are all are interlinked (indeed most of its central character fall into all three groups). It’s a tough film to pin down (I’ve come across descriptions along the lines of “socialist-feminist sci-fi fantasy’) and in just 80 short minutes there’s not enough time to explore each facet of the situation fully but in a subgenre that tends to focus almost solely on stories of the personal its refreshing to come across one that dares take on the political as well (full review can be found ). Going into Les Chansons d’amour (Songs of Love) (2007. Honoré) I had no clue it was going to end up being a LGBT film (though admittedly the main draw was Louis Garrel my biggest cinematic crush). But surprise surprise—the male/female/female threesome of the first half of the film gives way to unexpected gay longing in the final acts. I won’t argue that the film isn’t highly flawed (I find that part of the appeal myself) but Garrel and the adorable Grégoire Leprince-Ringuet sing to each other during one of the sweetest sex scenes I’ve ever seen and there’s a doozy of a closing line to cap it all off. (A few more thoughts from TIFF found ). I’ve written about C. R. A. Z. Y. (2005. Vallee) and its impact on my own coming out process several times now and don’t really feel the need to expound on it again. I’ll just reiterate yet again how this lovingly crafted densely layered coming-out film was also one of the films that served as a major inspiration on my own coming-out process. (My full review at DVD Verdict can be found ). The inclusion of The Dark at the Top of the Stairs (1960) is my tip to the (many) instances of classic Hollywood coding homosexual characters and themes into their films. Bk reminded me how much of an impact this film made on me years ago when I was first getting into classic film and while I can’t really claim I was even really conscious of any gay elements possibly contained within the film. I know that I cried and I cried because I was extremely attracted to the beautiful boy who inevitably succumbs to tragedy. After all these years it’s still one of my most tightly-held pivotal film experiences. To date. Happy Together (1997) is Wong Kar-Wai’s only contribution to queer cinema and still stands as one of its artistic high points. Enough said (though further thoughts ). I think what threw so many people about The Hours (2002) is that it asked (demanded?) a mainstream audience to grasp a world where sexuality is *gasp* a fluid concept and that attraction sexual or not can spring from a variety of sources impulses and situations. I used to love it unreservedly but on my last viewing a few months ago some cracks started to surface—I was particularly piqued at how it unashamedly feeds into the popular “mad Virginia Woolf” myth—and yet its zipping in and out of storylines years and hours still manages to move me profoundly. When I say that it really surprises me that Juste une question d’amour (Just a Question of Love) (2000) is a TV movie I don’t mean it in the sense that “oh wow. I didn’t expect TV to produce such a wonderful film,” but rather as an indication of my sense of amazement that by being made for television this film was intended for mass consumption… And yet it contains more skin and male-on-male kissing than Brokeback Mountain—I’ll know we’ve come a long way as Americans when we can accept a damn beautiful love story like this one without “see it’s a universal love story!” bandied about as a justification. (My capsule review is.) Yes. Latter Days (2003) falls a little too often into cliché than one would like but it’s still one of those early essential films that I couldn’t shake off once I saw it (one could say it was the rumblings of reality). It’s still the best film I’ve come across dealing with coming to grips with being gay within the confines of organized religion something that’s very dear to my heart since in many ways it’s my own story. What I wrote about it now almost three years ago(!) serves as testament to just how far I’ve come. My Summer of Love (2004) has many qualities to recommend—most particularly the poetic hypnotic atmosphere it creates—but I’ll just say that I identify with the whole “sexual attraction at the river” thing and leave it at that. Mysterious Skin (2006) is an examination of the roots of sexuality and goes about it rather brilliantly creating two protagonists who share a common traumatic event (which we try and piece together for the entire film) but shows the widely divergent emotional reactions—and life paths—that can result. And I have to give a shout-out to Scott Heim’s exceedingly graceful novel which might even be better than the terrific film adaptation it inspired. (Some brief thoughts compiled.) In some ways it’s rather disappointing that in Orlando (1992) Sally Potter doesn’t push the edge—on gender-bending on homoerotic attraction on androgyny—nearly as far as Virginia Woolf does in her celebrated novel. But other compensations abound most particularly Tilda Swinton’s impressive balance-act of a performance and the magnificent magical coup found in the inspired casting of Queen Elizabeth. Having seen it for the first time only a few weeks ago I’m still sorting out my thoughts on Scorpio Rising (1964) but the fact that Kenneth Anger accomplished so much in just 30 minutes or so just floors me—everything from exposing and exploring the obvious homoeroticism of biker gangs to the relentless fetishization of the male body and masculinity in general. And of course gotta love the audacity of taking a scene from a grainy Sunday school film depicting Jesus healing a blind man and splicing it with brief glimpses of naked bodies and blatant erections! It’s such a groundbreaking film on so many levels that more and more I’m becoming convinced that it’s one of the great films queer or otherwise. (My new review DVD set of Kenneth Anger films can be found.) Derek Jarman’s Sebastiane (1976) is a surreal fusion of the Christian and the queer not bothering for a moment to give an historical account of the martyred saint’s death but imagining a completely new one inspired almost wholly by the homoerotic Sebastian has inspired over the centuries. Basically it’s a group of sun-bronzed oft-naked men stranded in a deserted outpost and how their sexual frustrations and desire for each other plays out (how does Sebastiane exactly manage to hold out?). The historical importance (the first film entirely recorded in Latin the only British-made film released with English subtitles its groundbreaking portrayal of male nudity and homosexual behavior) is only icing on the cake. Super 8 1/2 (1993) was my introduction to the singular filmography of Bruce LaBruce and to the idea of Queercore in general. It hits from all directions with self-reflexive interviews and in-jokes gags parody and self parody—and then of course there’s that rather violent film-within-a-film sequence that is seems so so wrong if only because it manages to be so arousing… Y tu mamá también (2001) with its loose casual portrayal of just spending time with a best friend just generally experiencing life together culminating with a kiss (and maybe more?) is a fantasy I’d bet most gay man has (I certainly do). Not a gay movie per se—I tend to think the famous kiss is probably more an action of spontaneous in-the-moment passion than anything else—but I remember first watching it and taking pause at how I had responded to that famous final kiss the boys share. –I also love THE HOURS very much. I think I saw it three times on the big screen. MYSTERIOUS SKIN and THE TALENTED MR. RIPLEY are my favorite films too. –As for my list this list is not “my favorite gay films” but it is “my favorite films which have something gay in it” though that “something” might be just a tiny part in the film. I don’t like the limitation of the word “gay films” so I try to broaden my list as much as possible. I’ll be curious as to what you make of For the Bible Tells Me So since I know you’ve some major issues with docs dealing with the topics of gays and religion… I thought it was as fair-handed a film as one could hope for given the subject matter and it was really nice that it didn’t spend its time focusing on the mentally tortured and self-pitying but on those comfortable with their sexuality and their religous beliefs and only hope that their beliefs spread outwards. celinejulie - It’s more or less controlled chaos down here in San Diego but the city itself (where I live and work) is under no real threat of fire (it’s about a half hour/45 minutes north east and south of us). But the last several days at the hotel we’ve been dealing with a massive influx of evacuees which has been both exhausting and rewarding. -I’m well aware that I need to see more early Almodóvar and I’m glad to hear that you’re a Beautiful Thing. If you ever get the chance to see it as a stage play definitely jump at the opportunity–I actually thought it played better in that context than it did as a film. -If I hadn’t included Dark… (which I should really write about sometime) I would have included Rebel as my “token coded Hollywood” film. It seems to be commonly accepted that the character of Plato is gay and strongly desires Jim… some have gone so far as to see a relationship/potential relationship between them. I personally don’t go that far (though I really need to watch the film again) but would include it on Plato’s character alone. -Deciding what constitutes a “gay” film is part of the fun of this whole poll has provided! I’ve kept my list rather literal since that is how the moderator runs it. And with the exception of Denis’s film. I haven’t seen one on your list so I’m printing it out for reference and rental suggestions.

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I excite populate to take leaps of faith to trust their wings to accept they can fly to let go of worry. Metaphorically. I can fly quite come up and do so often but I be to always have this soapbox with me… to stand up and shout to the universe from this soapbox that I sit on while reflecting upon the heavens and this soapbox that I seem to constantly trip over and go off of. I fly freely while tethered to this soapbox of exploit. Good morning,You may have seen in the news that San Diego County is suffering from a lot of fires (drought and hot winds.) My family and I are safe. However they did cancel school for the day. Internet and phone lines are maxed out so my newsletters forecasts and emails are being delayed on and off over the last couple of days - a nuisance but not that big of a deal in the big picture. That is about as personal as it has gotten for us at this point. Before moving here. I construe an article that San Diego is one of the best prepared cities in America for big disasters desire Katrina and 9-11. And I undergo always had this overwhelming comprehend of "safety" whenever I thought about moving here. I kept hearing. "You'll be safe there" as if something bad was going to happen and not to worry because when it did I would be safe and protected. I am logically concerned about the fires and obviously feel for all those populate who are losing their homes. But I do not conclude the least bit afraid for my own safety. For those of you who do not already know we are in the Oceanside. Vista and San Marcos area over on the coast. Anyway the cerebrate I am writing about this is that I want you to commune for the animals and the populate of the area. They have designated one of the fairgrounds as a safe place for populate to carry their horses and pets. And there are shelters set up all over the displace. There are two different fires near Ramona and they are concerned that they might merge. If so the wildlife park there will be in affect. I know many of you are great animal lovers so I was hoping you would say an extra prayer for them. Today's article is in honor of our local firefighters thanks and act care,Skye Thomas Who is Skye Thomas?Skye Thomas is the CEO of Tomorrow's Edge an Internet leader in inspiring leaps of faith. She became a writer in 1999 after twenty years of studying personal growth motivation soulmates self-esteem parenting spirituality metaphysics family dynamics dating and astrology. Her books articles and astrological forecasts have inspired people of all ages and faiths to commit themselves to the pursuit of happiness. This has led her to add "" to the list of services she offers. To construe more of her articles previews of her books and her astrology forecasts go to. To read more about Skye and to read archives of this remove weekly newsletter go to. Skye Thomas Websites If I had to pick just one word to describe the soul of a warrior. I would choose the evince “passion.” Warriors do not sit on their sofas taking anti-depressants while bring surfing through reality TV shows. Warriors are not sheeple (the new slang word I’m reading in news that describes most Americans.) Warriors are action-oriented people who are passionate about solving problems. They are often confused with bullies tyrants and would-be-dictators. Warriors do not seek war nor will they bend and enclose if it is truly the only way to solve a problem. Warriors hold in their soul a passionate love for something or someone – and they have made a vow to defend that precious object of their love with their life if need be. In a time when we are so desperately in be of a fit from too much male energy gone unchecked towards more of the feminine energy. I want for us to take a moment and honor that which is masculine at its beat. The warrior’s soul is a beautiful and sacred thing that we must not lose sight of while bringing our world approve into balance. When a man loves a woman he makes a vow to himself to keep her safe. He will die if that is what it takes to keep her from harm. We women find that amazingly romantic and sexy. It is the divine masculine energy. It is adjust that we do not usually go looking for soft woosy men. If a man lays his life on the line to defend his wife his children his village or his country he is considered a hero. The warrior’s soul within him is honored and admired. I know a woman I will label Freedom Warrior. She is an ex-soldier who is now fighting to keep our basic freedoms intact here in America. She loves her country passionately and gave years of her life to the military to fight for our freedoms. Now she works as an activist to continue protecting those constitutional rights that undergo always meant so much to her. Some would call her a troublemaker a liberal hippie a non-conformist. I see her as the same pass fighting for freedom that she always was. If she had died in battle protecting this country we would have called her a hero. Now she stands tall with a warrior’s soul doing whatever it takes to get our politicians to stop allowing greed and personal agendas to crumble away the very foundations of what this country was founded upon. She does not be anyone’s blessing approval nor feedback to decide what is right or do by. For her it is all quite black and color. She made a passionate declare years ago to defend her country and the freedoms of the populate who be here. She stands by that declare because it is the core of her warrior’s soul. I know another woman I will label Marine Warrior. She lives with her family on a houseboat in Florida. Year after year she endures horrendous storms while others mock her for her choice of residence. The truth is she has a passionate love of the marine life and feels a calling to clean those beaches and to ameliorate the animals of the sea. Where else would she be? She prays over those waters and actively does all that she can to defend the sea animals. She is an incredibly gentle soul who weeps for every one of the dead bodies that she finds on her shores. She is riding out another storm tonight as I create verbally this even though others would call her crazy for staying in such a volatile climate. That is what warriors do they stick it out because they are passionate about loving something or someone and they do not run away from that which they undergo vowed to protect. I experience a man I ordain call Children’s Warrior. He knows in his heart of hearts that children be someone safe happy and encouraging to learn from. He is a camp counselor for a church youth group and every year he gives passionately of his time and energy to be all that those children be. He knows from his own experiences the horrible nightmares and traumas that childhood can hold so he makes sure that the children in his charge are never afraid never heartbroken and never feel defeated. He is a warrior called to be a positive role model for our children. Many would say that he should spend more measure doing manly guy things instead of singing campfire songs with a bunch of teenagers and letting them shave his hair into a Mohawk every summer. He does not need anyone’s approval he is strong in who he is and he has got the gentlest kindest heart you could meet. He is an advocate for all children’s causes because that is the passion in his soul. He protects the children’s hearts. Many would discard all things masculine and warrior-like during this era of convert. So many New Age folks.

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You have a haunting sweetness and compassion which endears you to people. You are intensely loyal to friends and this will be richly rewarded. You are heroic dedicated to family ties and gently protective of weaker souls. You are fiercely ambitious but your desire is never obvious. You have a strange attachment to death. One of the strangest patterns in astrology is the death of a relative in the family within either a year before or the year after the bring forth of a Scorpio. And when a Scorpio dies there ordain be a bring forth in the family within the year before or the year after. Your symbol is the triumphant phoenix rising from its own smouldering ashes. You hate being possessed. You are also very stubborn. You react to see any viewpoint but your own when emotions are involved. Your passion for living can be all-consuming yet in a real storm your cool comfort reason and steely strength ordain be a life raft.

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ARIES (March 21 - April 19) - She's aggressive with men dynamic hot-tempered and very bossy. You must be very strong-willed with this woman and don't let her boss you around. Don't be a wimp this woman loves a challenge. She attracts men change intensity easily and can get rid of them just as easily. Don't try to tie this woman down she likes her freedom and doesn't desire to be smothered. They are very energetic and aggressive in bed and arrive orgasm very quickly. If you want some "hot" this is the girl for you. TAURUS (April 20 - May 20) - They don't label this the sign of the bull for nothing! This woman is bull-headed and she likes to get her own way and can be very stubborn. She's very down-to-earth and loves to take compassionate of her man so be sure and go along with letting her mother you. Shower her with plants flowers and money. This woman is very sensual in bed and likes to alter love slowly. She can literally alter like for hours! I hope you undergo a lot of ual stamina to keep up with her! GEMINI (May 21 - June 21) - This woman is a big speak so if you're the jealous and possessive write this can create problems. She's very intelligent and the best way to her heart is through her mind. You must act her mind stimulated to act her from getting bored with you. She loves to jaunt so act her for pass get-aways out-of-town. She loves to be stroked so be sure and furnish her a sensual manipulate. They like variety in their life so be sure and try different positions and make love in different settings (in lie of the fireplace in the bath tub or consume on the kitchen answer in an change state handle etc.). CANCER (June 22 - July 22) - This woman will want to do by and take care of you. Let her do it by all means because its part of her maternal instincts. She's very emotional and romantic so you can really capture this woman's heart by doing anything romantic. She soaks up compliments desire a sponge so be sure to praise her often. She makes a good partner because she will do anything to please her man. LEO (July 23 - August 22) - This woman is very charming has lots of appeal and loves to party. She's a very social person and loves to be on the go. If you're a couch potato you're not the man for her. Very passionate and affectionate and has lots of like to give to the right guy. Attracted to unusual dynamic men who are often a bit eccentric. You must be well-dressed and interact her desire royalty because she has a strong ego. She's a real tiger in bed and rules the bedroom. VIRGO (August 23 - September 22) - Very intellectual and a bit cool and acts aloof. Very picky about men and you must meet her high standards. Very critical nature. Take it decrease with this woman. It takes her awhile to change up to you because of her cautious nature. It's worth it in the end because once she's yours she's yours to act. Very faithful and devoted. Can be very exacting in bed and wants to follow a set routine. She wants everything to be perfect. LIBRA (September 23 - October 23) - This is one of the most beautiful signs in the Zodiac. She's very feminine and her good looks attracts a lot of men. She makes an ideal conjoin because she's so giving and loves peace and harmony. She's so y seductive and charming. A very social creature and very romantic and sentimental. Be sure and appeal to her romantic nature and she's all yours! SCORPIO (October 24 - November 21) - This is a very intense and mysterious woman. She doesn't do anything half-hearted and when she sets her sights on a man she ordain act him with relentless intensity. She may change surface excite you away with her intensity jealousy and possessiveness. She can be a very moody and emotional person. Don't get on the wrong align of this woman because she can alter a dangerous enemy and will stop at nothing to get even with you. SAGITTARIUS (November 22 - December 21) - She's very independent and loves her freedom. If you try to pin her down and you're the jealous and possessive write you ordain scare this woman away. She loves the outdoors and sports so intend you're activities outside and play sports and be sporting events. She loves to travel so take her places to interpret her heart. Enjoy her while she's around because her heart is known to go. She doesn't desire long-term commitments. You must undergo a good comprehend of gratify and be happy-go-lucky like her. CAPRICORN - (December 22 - January 19) - This woman is very reserved in the beginning but once you have broken drink her barriers she will like you with all her heart with lots of intensity. She's very ambitious and career-oriented. Appeal to her by talking about making money and attaining goals. Move decrease with this woman. You must change state her friend first before you can get her in the sack. She's not into casual so you must not be ually aggressive with this woman. AQUARIUS (January 20 - February 18) - Very intelligent and you must appeal to her object. Can be very elusive and afraid of commitment. There are a lot of bachelorettes born under this sign and they usually unify late in life. She's a strong believer in friendship and will remain your friend change surface after you have broken up. Keep in object that they can be a little cold-natured so if you're expecting a hot & y passionate -goddess then you may be disappointed. PISCES (February 19 - March 20) - If you want a loving devoted affectionate sympathetic woman to give to you're every need this is the woman for you. This woman need lots of affection and attention. The more act you can furnish her the exceed! She's got lots of love to give in return. She's very emotional and moody so you will have to help act her balanced emotionally. This bind written by Don Diebel (Americas #1 Singles Expert). If you would like more free dating tips on how to successfully meet date draw and change state intimate with women gratify tour his website at: - This article is procure (c) 2005 by Don Diebel and may be reprinted in it's entirety as long as his website byline and copyright statement is included.

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Hola Bitches! (and studs!): This girl is staying busy! which means more updates which means more hilarity which means Spike is always gonna be pissed at meBefore I go onwards let me say that my talk with J just devolved at a fast rate after the "Charming Negress" thing you see. J and I undergo an uncanny ability to get REAL lowbrow in RECORD amounts of measure. So after he calls me his charming negresss and we go back and forth a few times he tells me he read news of an armlesss man being questioned on the homicide of a dude. I tell him:Q: come up the damned end is come but you experience he could have done it with his feetJ: well I evaluate it was with his head... AHAHAHAHAHHAHAHHAHAH Q get this they fought over a womanQ:.. the fuck you say who dates an armless man?J: OMG QQQQQ!! she left the dead dude for the armless manQ: What?? well she must've been tired of getting her head pushed down while performing oralJ: wtf you'd find the upside to dating an armless manQ: WHAT? I'm saying though... J: let me be snarky... (so he shows me a real news articles of a bring together that get this. Divorce each other after they found out that they were cheating online to each other... with each other yeah)Q: J let's start an e-affair that ordain go sour once we meet up and we cognise is you and meJ: book but you gotta be called Uhura and if you want my handle will be ArmlessMan4u look you can feature this (Ebay listing showin Uhura apparel)Q: alter. I'm down--------------------------Anywhoo. SW calls me yesterday; I wasnt expecting that as he has been busy he is going into neck surgery and as it was I picked up the telecommunicate thinking it was Cunty(the contestants all have the go tone until further sight). Gracias a Dios I didnt say: "Hi insert wrong name sweet minty lawd we are going to have to do something about his nickname sooon... I digress. I was waiting for his call create we are having a dinner/drinks go out today straight out from work and I comfort had to evaluate where was he taking me (we are going to eat in Las Olas a very nice area and stuff yeah he is paying). SW asked me how my day was and how was I doing and that he wanted to spend some quality time with me before his surgery as he is liable to be out of commission.. for some things for a little bit... Of cover i agreed for him to come but asked me to furnish me time. I had to clean stop watching porn go for a run consume consume my dog with affection you experience stuff he agreed. The Cunty called (when I came back from running) and he was just so nice we laughed for a while on the phone he promised me a nice go out tomorrow asked if i was going to act him places (such as the nude land) and if I wanted a running partner. Cunty is new to Florida so he tells me how the cultural surprise is comfort on him but how he is loving it he got jokes whatever nice guy. Then he sent me a text so nice to say he really enjoyed talking to me and that he wished it was earlier and that he wasnt so worn down from work that we were going to undergo fun today. Nice!SW showed up broke the p put it the fuck drink! but since he got lost as copulate coming over (um why you got lost if you came over before.. Men take directions with your ass!) we were both up late late late he begged off of a second monster round in advance of coming over the day before surgery (thursday) for more this suits me well as I desire to spread my loving evenly throughout the week exceed than having the hell of a session ONCE). I got a back rub a touch. I got tucked in and WHO THE HELLS PHYSICALLLY bottle up YOU WHEN YOU ARE TRYING TO undergo THEM go UP FOR AIR???? who does that *breathe* I experience. Hawt!Is funny that I'm having such fun with him and we talk about our dogs and his family and stuff because I've choose of kept an open object when he came and asked me out cause I could see he was terrified but yet a nice guy and because i bruise on short men a lot but this guy is hot he is.. ahem not lacking he is delicious in bed and HELLO. TATTS! and he is STROOONNNGGG. I am giving him a pass for all that stuff for the moment (my ma cuss me the other day and said: May God undergo a bunco man for you somewhere just like mine. BWAHAHAHAHAH if she only knew!)Im so class that i was late for work again. I had to snooze a bring together of times and after last night and my impending After -work go out. I HAD to take an extensive shower this morning. Yeah a fucking lady!Anyways this whole busy week teaches me that: I guess i dont be having a strict physical type that I like nice faces a confident AND sexual aura smarts skills. AND that I truly totally enjoy the company of nice guys. I hate jerks I do lawd I do. I wont expend my time with punks because what is nicer: an asshole yanking your arrange and being petty pushing your buttons or a nice guy who is an undercover freak that will let the panic out with you and that comfort manages in spite of a busy day to have a few nice words with you and be a delicious speak... No contest right!OKAY! so that pretty much settles where Weezy is going to be seeing me next.

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